FLIPPING OVER ALUMNI SUPPORT IN A STRANGE SEASON

BY CURT HARLER

Fifth-year senior Keith Griffith of Spring Mills, PA was fired up to do the drum major flip in front of 100,000 screaming fans. It is definitely the spotlight event for the Penn State Blue Band’s drum majors. Then, like so many other events, Penn State football was put on hold. The Blue Band’s season went topsy-turvy.

“I’d be lying if I didn’t say I am disappointed,” Keith says. But he remains optimistic. “I’m super excited for the opportunity. Yes, this year will be difficult. But it is still Blue Band and still a great group of musicians, marchers, and leaders.”

2020 Drum Major
“Any support ABBA can provide will be super-appreciated,” says 2020 Drum Major Keith Griffith.

Like many other members of the Blue Band, Griffith is looking to the Alumni Blue Band Association for help and inspiration.

“Obviously, having a super-strong alumni base – both across Penn State and especially the Blue Band Alums – is a major help. Any support ABBA can provide will be super-appreciated,” Keith continues.

As August winds down, block auditions proceeded as if nothing was too far out of the ordinary. “What the Blue Band will look like and what will happen is changing day by day,” Griffith says. His sister Ashley, on the drumline, is another member of the Blue Band whose on-field experience is up in the air.

Yes, Keith is disappointed that he may not get the opportunity to showcase his flip in front of 110,000 people at a white-out game. Practicing the flip in one’s back yard is not the same thing. Still, he plans to get comfortable with the flip and his other moves in front of the 300 members of the 2020 Blue Band and work from there. “I will stay in shape. When I’m called upon to do the flip, I will be ready,” he states.

Griffith points out that Blue Band is so much more than simply football. He is a fifth-year senior in the Honors Program for Engineering Science. While he is majoring in engineering, his long-term goal is to get a medical degree and focus on neuro-biology or neuro-surgery. Since engineering is focused on problem-solving, he figures it will be a great boost to his medical career.

Blue Band trumpet on field at halftime
Keith Griffith’s instrument is the trumpet. This shot is from a halftime show last year.

A trumpet player by trade, Griffith took over from Jack Frisbie as drum major. Griffith did a co-op a year ago and so required more time to finish his degree. As a bonus his fifth year provided a golden opportunity to gain an extra year with the Blue Band.

Ashley Griffith, Keith’s sister, is on the Blue Band drumline. Here, they pose post-game.

Now, his goal is to provide hope to people in the Penn State community despite the trying times. “People will look to the Blue Band for something to hold onto,” he believes. Knowing the alums are behind them will help. “We’ll be doing our best,” he promises.

Dr. Deihl Explains ‘THE FLOATING LIONS’

By Curt Harler

Sometimes, small things grow into big deals. Such was the case for Dr. Ned C. Deihl, director emeritus of the Penn State Blue Band. Without Ned Deihl, for example, the Penn State Blue Band would not have its trademark “Floating Lions” presentation. He created it for a pregame show in 1965 and it remains nearly identical in execution (although not in number of marchers) today. It was first performed on November 20, 1965, at an away game versus Pitt.

Just how does one come up with an iconic idea like that? The key, it seems, is having little toy figurines to play with and a kitchen table to serve as a field.

“I’d seen the lighted ticker and floating announcement sign at Times Square in New York,” he recalls of his inspiration. “That is what I had in mind.”

Blue Band Director Jim Dunlop had put him in charge of developing a new pre-game routine and gave him free rein. Ned was determined to get away from the low-key East Coast band look and do something big, something spectacular. At the time, the Blue Band marched out in a block playing a classic march – not even a school song.

Originally, the Floating Lions pulled out of the end zone. “It only went one way and was not too effective,” he says. “Coming from midfield with contrary motion was much more dramatic.” Ned had no computers to help him with the design. In fact, throughout his career, he never designed a drill on a computer although his assistants did. 

“I put little figurines on the kitchen table and then had to finagle to match the marching to the music,” he explains.

As the years went by, Ned spent many more hours redesigning the drill for larger and larger bands. But its essence is unchanged.

“The Blue Band is so large now we probably can spell out ‘Nittany Lions’,” he chuckles. “Maybe that’s something the Alumni Blue Band can put together with an hour or two practice!”

It was in July 1976 that Dr. Deihl became only the fourth director ever of the Blue Band (preceded by Tommy Thompson, Hum Fishburn and Jim Dunlop). Dr. Deihl stepped up after Dr. Dunlop died of a heart attack in 1975 at age 64 while at a band camp in Salt Lake City. After a short stint as acting director, Ned became director.

“The first game after Jim Dunlop died was something,” he recalls. The directorship became the gem in a long music career.

sculpture in ORBBBBname plate on statue

Dr. Deihl grew up near Mansfield, Ohio where his high school band was such small potatoes that they did not always have a band director. He started conducting and was permanently bitten by the music bug. Although he started his college career at the prestigious Miami University of Ohio, he soon switched to Indiana University in Bloomington where the music program was much stronger. He earned his degree, taught music for a bit and was drafted into the Army where he played clarinet and led the 9th Division band and choir. At that point, he knew he needed more academic credentials and went to the University of Michigan for a master’s degree in music under William Revelli. In a way, his early academic path presaged Penn State’s joining the Big Ten. Deihl saw himself as a short-timer at Penn State…get a Ph.D. and move on. When he earned his doctorate in 1962, Dr. Dunlop offered him a post as an assistant director based in part on his Big Ten experience. 

Whether you were in the band in the 1960s or last year, you can be grateful for another one of Ned’s innovations: charts. In years past, drills were tacked up on a wall and all musicians had to write down their positions for each number. He started making charts for everyone (this was well before the current era of computerized layouts). 

On the other hand, you have Dr. Deihl to thank for adding a strong emphasis on marching to the Blue Band’s requirement for musicianship. You can thank (or blame!) him for bringing the high-stepping “chair step” to the Blue Band. One’s thighs ache just thinking about it. He replaced 6-to-5 marching and instituted the 8-to-5 protocol partly because it better matches 4/4 music but mainly for the look.

Not all upperclassmen (and it was all men then) liked the changes. But he stuck to his guns. “It was pretty vigorous,” he says of the early days of fast, high-stepping. “Today’s Band still picks up their knees – just not as high. But the key is getting the knee high enough to point the toes.”

Ned increased the size of the Blue Band as Beaver Stadium grew. A bigger band is more capable of filling an ever-larger stadium with sound.

Dr Deihl waving to thank alums
Dr. Deihl acknowledges the fantastic fundraising of alums for the Deihl Scholarship by Lori Bowers Uhazie and Dave Uhazie

It will be difficult for many alums to believe that Dr. Deihl retired in 1996 – nearly a quarter of a century ago. While he rarely attends football games, he has been back to lead the Alumni Band at Homecoming without fail. Among his other honors are being named to the American Bandmasters’ Association (ABA), membership in Phi Mu Alpha and Pi Kappa Lambda, and the Citation of Excellence from the ABA. He has been a guest conductor at many events, perhaps topped by his stepping up for the U.S. Army Band as guest conductor.

Ned and his wife Janet are working on their 60th year of marriage. Her happiest days just may be those several when he is off on the golf course. Recent personal highlights include watching his grand-daughter Danielle Deihl march these past four years with the Blue Band. He’s looking forward to having his grandson Derek Deihl make the band this year on sax.

 

 

BRETT BUTLER: THE SWEET SPOT WHERE MUSIC MEETS GOLF

BY CURT HARLER

Call him “El Presidente,” just plain Brett, or maybe the Blue Band’s Tiger Woods. Brett Butler, current ABBA President, is as passionate about golf as he is about music. And he has found a great nexus for his two loves.

If you watched the Blue Band in the years 2005-2007, you certainly saw Brett march. As K-7, he was the tunnel lead for his junior, senior and extra fall term at Penn State.

Penn State Blue Band musicians in the Beaver Stadium tunnel
As K-7, Brett (far right) was one of two trumpets who led the Blue Band out of the tunnel. You can almost see the pre-show butterflies flittering around in his stomach.

“It’s scary but wonderful,” he says of being one of two lead trumpets out of the tunnel. “You are the first person out to the sea of white. It overwhelms you. And you go, knowing you have 300-plus friends behind you. It is very emotional. You will never experience anything like that anywhere else!”

He graduated from Penn State in December 2007 with a degree in industrial engineering. Having changed from nuclear engineering, he needed an extra term to graduate and so got an extra year in the Blue Band. He got his MBA through the Penn State World Campus in 2012-14. 

 

 

As President of ABBA, Butler’s focus has been on alumni engagement and technology advancement. There, he points proudly to multiple successes. 

“Engagement across the generations is so important,” he notes. Recent grads expect the latest in technology to stay connected with ABBA. Past generations want to be in the loop. Technology makes that happen.

Golf is another area where Butler sees an opportunity to keep alums connected and involved.

alumni and current director at golf tournament
The annual ABBA Golf Tournament is a chance for everyone to get together in a more relaxed atmosphere.

While acknowledging that the annual Homecoming parade and performance are the heart and soul of ABBA, he notes that the weekend happens in a whirlwind. “Homecoming moves so fast. There are snippets of connection here, snippets there. Most of us have too little time to interact with old friends and to meet new ones,” he says.

Golf, he hopes, is one answer to the challenge of helping ABBA members relate. Indeed, the annual golf tournament has proved a success, both financially and socially. The latter is key. “You move slower, interact, talk to people,” Brett notes. “It helps bond us continue to grow and to stay connected.”

Brett on the golf course finishing this swing
Brett Butler carries a 7.5 handicap. This shot, during the ABBA golf outing, did not hurt his average any. The Golf Tournament is one of his favorite activities.

Butler loves to golf and has a 7.5 handicap (that’s good – don’t bet against him!). Not only does he see golf as a way to strengthen Blue Band ties but it brings him closer to his father. In early June right after golf play reopened, Brett and his dad played both the Blue and the White courses on consecutive days. “They were in great shape,” he says.

He still hopes ABBA will pull off the annual Fore the Blue Band Golf Tournament. He talked to Penn State course officials and they, too, indicated they are hopeful – even if the format is a bit different than normal. 

A graduate of West York High School, Brett Butler really didn’t think about college band until he was accepted at Penn State. His dad wanted him to attend the York Campus for a year or two so he could ease into the college experience. Both of Butler’s parents and his older sister are Penn State grads. His dad is a football season ticket holder. So Brett was well aware of the Blue Band spectacle.

At some point, Brett decided he wanted to continue with music as part of his college experience. “I’m still not sure if it was motivational or not, but Dad said if I practiced hard and made the Blue Band, I could stay at University Park,” he recalls. He made the band as a freshman. He loved it and got more deeply involved. As vice president during his senior year and then president in his final year with the Blue Band, he got his first exposure to ABBA as an ex-officio, non-voting student member of the Board. He was impressed with what he saw.

Brett was not elected to the ABBA Board the first time he ran but he tried again and was elected in 2010. After a short hiatus, he stood again for election, taking over as ABBA President for the current 2019-21 term.

In “real life,” Brett lives in Southern York County and works for a firm that builds heavy equipment for the U.S. Navy that goes into its submarines. “That’s about as specific as I can get living in the defense industry,” he says.

He also is involved with his old high school band as Assistant Marching Band Director. Brett started working with the Marching Band as a volunteer and accepted the part-time gig after a few seasons.

It keeps him aware of young musicians. As a result, another of Brett’s ABBA goals is to increase involvement with recent Blue Band graduates. “It is critical to reach those new graduating classes and to keep them involved, to hear their fresh ideas, to listen to their recent experiences as Blue Band members.”

No matter the graduation date, Brett says being on the ABBA Board is an amazing experience. “Be an active participant,” he tells new Board members. “Being part of a volunteer organization is more than resume-building, more than a title.”

As president, he acknowledges that every volunteer group has limitations. Still, he says, ABBA has made amazing strides through the years. He can think of no better place to give back to an organization that gives so much to its members.

“In ABBA, we are so fortunate to have people who want to do something and commit the time and effort to the Band,” he concludes.

 

FROM ALTERNATE TO PRESIDENT: Tom Range Looks at His Blue Band Years

BY CURT HARLER

Tom Range’s mark is everywhere on the Alumni Blue Band’s history. In fact, he wrote the book – literally – on the Blue Band. Twice. He was the conductor of the alumni pep band in the Philadelphia area until he moved to Centre Hall a year ago where he now runs the Keller House Bed & Breakfast. A math major at Penn State and retired math and computer science teacher by trade, Tom still is active in ABBA and conducts pep bands as needed.

Thomas E. Range II is loved by everyone – with one huge exception! Each Homecoming, during the playing of Hey, Baby at the annual Hintz Center Alumni Association event, every woman for the past two decades has turned down his pleading “Will you be my girl?” in favor of a hug from the Nittany Lion.

Franco Harris leads pep band
Sometimes conducting the pep band at the Hintz Family Ice Cream social is placed in the hands of a guest conductor. Here Franco Harris conducts the pep band in 2007.

Such is the (editor’s comment: deserved) fate of a Sousaphone player. However, Sousaphone is not Range’s forte. “Cello is my major instrument,” he says. The sousaphone was an afterthought when, at Pennsbury High School, he took up the horn. Since both instruments are bass clef and cellists use the left hand to change notes, he admits to still getting confused about whether to finger with his right or left hand.

His conducting style at ABBA events shows a similar orientation. Most band conductors use both hands to count time so it is obvious across a wide field. Orchestral conductors conduct with their right hand and cue with their left. Tom learned music theory and conducting in high school while focusing on cello. He even considered majoring in music or getting a dual degree. He stuck with math. And his orchestral conducting style stuck with him.

His high school ties got him involved with the Blue Band. He started classes in the summer session and ran into Bill “Flash” Flood, a drummer, upper-class dorm mate, and Pennsbury grad. “He kept riding me to try out for the Blue Band,” Tom recalls. Back then, Dr. Bundy was the assistant and was not yet “doctor.” Range borrowed a Sousaphone and every day practiced at Chambers Building. He made the band as an alternate that first year. He got further involved as a manager. Range started senior year as G-2 but, when the rank leader had to quit, stepped up to G-1. Range still remembers the day when then-graduate assistant Brad Townsend (who was an excellent Sousaphonist and had been Blue Band president) asked him to walk with him before practice and told him he wanted Tom to be G-1. Tom said he felt his Sousaphone talent was lacking for such an honor, but Brad insisted one didn’t have to be the best musician, just a good leader. Tom had already run for President of the Blue Band and won the election.

In Range’s student years, the Blue Band was privileged to see two National Championship games – the Lions’ loss to Oklahoma and glorious victory over Miami. However, he does have the dubious honor of being band president during Joe Paterno’s first losing season.

Undoubtedly, Range’s single largest contribution to the Blue Band is the histories he has co-written. With the fellow Pennsbury alum Sean Smith (Mellophone, 1990), Tom co-authored “The Penn State Blue Band: A Century of Pride and Precision” in 1999. Smith and Range met in tenth grade, marched together, and later roomed together at Penn State.

In 1997, ABBA faced reorganization. Previously, alumni events including homecoming were arranged on a semi-formal basis by alums living in the State College area. Folks like State College High Band Director Rich Victor, Dick Ammon, John Prendergast, and John Kovolchik carried the burden year after year. Dr. Bundy wanted to reorganize the alums into something more formal and less backbreaking on a couple of folks.

ABBA was (and still is) the largest alumni Affiliate Program Group at Penn State. Tom served as the second president of the newly formed ABBA as the group left the past century and grew into the current one. Russell Bloom was the first president in 1998.

band performs at basketball game
The Alumni Blue Band plays for the 76ers games.
pep band plays at park
One of the most anticipated pep band gigs every year is Penn State Day at Knoebel’s. Unfortunately, this year’s day has been canceled due to the Covid-19 outbreak.

 

 

 

 

 

 

 

 

 

About this time, Range became aware that the 100th birthday of the Blue Band was coming up. While rocking his baby daughter Megan to sleep one night, he got to thinking that the centennial would be a great time to publish a history. Perhaps sleep-addled, he then thought, “How awesome would it be if I did the history of the Blue Band!” He woke up and bounced the idea off of Smith. Smith called him back an hour later and proposed they do the project together. They spent two years doing interviews, library research, getting images, and pitching the project to the Penn State Press.

In the early 2000s after the book came out, the Blue Band Building went up and the Band grew in size. The scope of the changes made it obvious an update was needed. So Range wrote “Into the Game” with Lewis Lazarow — a 10-year update.

Lazarow was a great collaborator. An AP English teacher at the time and now an English Professor at Penn State, he was the perfect replacement for Sean, who was taking classes at the time to become a Pastor. Sean is currently in the Mansfield, PA area as Pastor for the Roseville United Methodist Church.

pep band in tshirts
One of the first pep bands Tom organized was a trip for 10 to the Penn State–Notre Dame game in 2006. A highlight was playing for the pep rally in the Chicago House of Blues the night before. Tom is at far right, playing the bass drum. Lew Lazarow and Sean Smith are the mellophone players at far left.

Right now, Lazarow and Range are working on a 125th-anniversary project that should publish in 2024. It is a big undertaking but one that keeps him focused on the Blue Band.

Now that he lives near State College he says, “I hope to get back on the ABBA Board of Directors.” He looks forward to helping cement the relationship between the Blue Band and ABBA. He wants to keep conducting the pep bands, too.

Who knows? Maybe one day an alumna will smile favorably on him as he conducts Hey, Baby from a kneeling position! Nah…

BILL ROTE HAS AN EXQUISITE CLARINET FOR EVERY OCCASION

BY CURT HARLER

man holding clarinets

ABBA member William Rote of Doylestown, PA has nine clarinets in his closet. And he plays them all. Plus, he has an assortment of barrels and bells to more accurately adjust pitch and alter the color of his sound.

Keep in mind that Bill played 39 gigs, indoors and out, last year. He needs a back-up instrument with him when doing solo work and doesn’t use his wooden clarinets for outdoor gigs.

His horns are not garage sale curios. His go-to clarinets are two sets of Buffet Crampon grenadilla R-13 Bb and A. That’s four clarinets, right there. But that’s only a start.

clarinets in cases
Among Bill Rote’s clarinets are, back row: Buffet R13 grenadilla Bb & A – two sets
Left front: MoBa cocobolo Bb & A
Right front: Schwenk & Seggelke grenadilla Bb & Aa
Standing: Backun Aipha (“plastic”) Bb clarinet

He has a set of MoBa Bb and A horns, handmade for him in Cocobolo wood by Morrie Backun, a craftsman in Vancouver, Canada. Fans of the Philadelphia Orchestra will recognize Ricardo Morales as the group’s principal clarinet (check out https://www.youtube.com/watch?v=UNBSN8Z5wb8). Morales too plays the $10,000 MoBa, known in woodwind circles as the Stradivarius of the clarinet world.

But wait – there’s more! Perhaps the pride of Rote’s collection is the set of German-made Grenadilla wood Bb and A clarinets, handmade for him by Schwenk & Seggelke in Bamberg. Bill feels the German wood selection, technology, and craftsmanship that went into creating these clarinets make them the pride of his collection. He sees these as replacements for his aging Buffets. The sound and quality are exquisite. The horns are keyed on the Boehm system, not the unique German one. Jochen Seggelke earned a Ph.D. in acoustics and his passion is the improvement of musical instruments. This horn is the epitome of his clarinet work. Click https://www.schwenk-und-seggelke.de/_en/index.php.

Those of you who still fondly remember your beginner Bundy horn can take solace in knowing Bill has a plastic clarinet, too. “To play outside when the weather is bad,” he explains, apologetically.

Bill is a fixture at ABBA events with performances at the Hintz Alumni Center and Homecoming at the top of his list. He participates in pep band events in Harrisburg and Philly and enjoys a couple of events each year at the Great Valley campus.

Although he bleeds blue-and-white, Bill plays with the Delaware Valley University Symphonic Band. While DelVal has lots of ag, business, and science majors, there is no music and arts degree program at the school. The chorale, band, and string ensembles are comprised of students, faculty, and community members. Bill has been a principal chair for 20 years and performs six or seven concerts annually, plus graduation. Graduation is not his favorite. “You play the same few measures of Pomp and Circumstance over and over until all the faculty and graduates walk in!” he groans. However, he has no problem playing Touchdown FOS repeatedly!

Closest to his heart is the music he makes with his church (Doylestown Presbyterian). To hear Bill play is MoBa cocobolo A clarinet in church, ping https://youtu.be/qTQUpuqVaco and forward to 16:30. And lest you think time has passed by this 1960 chemical engineering graduate, this year — with Easter disrupted by the Covid panic — Bill and the other musicians recorded their parts separately on iPhones and iPads. Each instrument was brought together remotely. Listeners saw every musician in a separate block on the screen and heard the beautiful sound of a virtual concert.

alumni playing clarinet
Bill Rote treasures his lovely MoBa cocobolo A clarinet.

“We all recorded our parts at different times, different days,” Bill explains. He had an earbud in his left ear to hear the organ version and could hear himself playing with his right ear while creating his video on the iPad. The performance went off flawlessly.

Several of his gigs are paid engagements, including the Palisades Community Chorus and the Gilbert & Sullivan troupe that performs all 14 G&S works in rotation. Each Christmas, he loves accompanying a team of top-end professional vocalists in the Messiah.

Bill started his Blue Band career as a second clarinet after graduating from Bellefonte High in 1956. The next year he was first desk, first clarinet in the concert band. Dr. Jim Dunlop was the director of both. Rote recalls Jim Dunlop as “a taskmaster” who demanded the best.

Coupled with commitments in a local dance band, Bill recalls, “I was about to flunk out.” Chemical engineering wasn’t a slam-dunk. Dr. Dunlop went off on him when Bill approached the director about reducing his Blue Band commitment. But it ended well.

Today, while Bill Rote still looks back fondly on his Penn State years he is more likely to look ahead…to his next concert, his next pep band, and to deciding which clarinet he will choose to carry the melody.

 

 

 

 

 

It’s now DOCTOR Gregory Drane!

BY CURT HARLER

Photo of screen with title of Dr. Gregory's Drane's research
Dr. Gregory A. Drane successfully defended his dissertation last month.

As of today, you can call Blue Band Director Greg Drane by his full title: Dr. Gregory A. Drane. On February 21, he successfully defended his dissertation for a Ph.D. in Music Education. Given the Coronavirus issues, just when he will get to flip his tassel is uncertain. But he officially is Dr. Drane.

His dissertation was on “An Oral History of the Navy Band B-1: The First All-Black Navy Band of World War II.” Dr. Dick Bundy, professor emeritus, was his advisor.

Greg earned undergrad degrees in music education and music performance (saxophone) from Bethune-Cookman University. He already has a master’s degree in music ed from Penn State. He became the sixth director of the Blue Band in July 2015 after serving as assistant director since 2005. Like many other ABBA members, he is a Phi Mu Alpha.

His most recent triumph was leading the Blue Band through a great Cotton Bowl experience. “It was awesome. We had a great time!” Greg says. This despite a shortage of planes that forced both the Band and the football team to fly home right after the game rather than enjoy some extra R&R.

Did he sweat more over-  his dissertation or the Cotton Bowl performance? “I was shaking in my boots,” he laughs. “Because of Christmas, we only had time for two rehearsals before the game.” Usually, the Band gets four runs before a show. “The kids came through! I am so proud of the students,” he says.

Congratulations are due – both on a super Cotton Bowl performance and on the newly minted Dr. Drane’s academic achievements!

KATHY BAMAT LOOKS BACK AT 38 YEARS OF SILKS

By CURT HARLER

It is not true that Kathy Smith Bamat served as the Band Front Coordinator and Blue Band Silk Instructor since “forever.” However, she took the position in 1982…an amazing total of 38 years before retiring this year. During that time, she worked with several directors, including Ned C. Diehl, Dick Bundy, and Greg Drane. When she started, Dr. Bundy was a graduate assistant.

“I just love the memories and friendships of everyone from the staff to the instrumentalists, the silks and the majorette line,” Kathy says.

Before working with the Blue Band, she worked with many local high school bands, including Penn’s Valley and Bald Eagle. She did some work at Juniata Valley and Bellefonte camps. At the time she was hired, the Blue Band’s silk line was student-run. “They didn’t have anyone to do it professionally,” Kathy recalls. Dr. Diehl offered her the job. She initially refused because she was intimidated – and the students soon realized it.

“The kids, talent-wise, were way over my head,” Kathy says. As a result, there was some resistance on the students’ parts to her leadership. That changed quickly. Kathy marched with the Westshoremen Senior Drum and Bugle Corps for six summers, first getting involved in the Corps to gain the experience she could apply at Penn State.

Even as the decades passed, it wasn’t all sunshine. One Orange Bowl the buses got lost going to the parade. Half the instruments were on the flag bus and half of her marchers were on the other buses. She recalls Dr. Bundy running to collect the late buses and the whole Blue Band stepping off the bus and stepping off in parade formation immediately thereafter.

Another year –the height of the Urban Cowboy craze — saw her pleading with students to stay away from mechanical bull riding lest they get hurt before an event.

Or, the 2009 Rose Bowl when the feature twirler’s uniform split wide open as they marched the long, long parade route. “That’s why I always carry safety pins in my pocket,” Kathy chuckles.

Her fondest memory is seeing her grandchildren go through the Blue Band program. Granddaughter Karah Mothersbaugh was in the majorette line a couple of years ago and grandson Zackery is just graduating as a trumpet.

Kathy waves goodbye to the crowd at Beaver Stadium

For now, retirement means travel, pool time at her Florida condo, Kindle books, crocheting, and leisurely bicycle rides. But in her mind, she always will anticipate those four whistle blasts that called her team to action so many times in the past.

GLOCKES TO RETIRE EN ENSEMBLE

By CURT HARLER

Long-time fixtures in music at Penn State, both Dennis and Jayne Glocke will retire at the end of the Spring term. They are familiar to many ABBA members who performed under their batons. Dennis, director of concert bands, has been at Penn State since 1996. Jayne, who conducts Oriana Singers, Campus Choir for non-music majors, on-line classes, and the summer honors program has been at PSU for almost as long.

Dennis Glocke Photo

Dennis, whose instruments are piano and clarinet, will conduct the Symphonic Band as his final concert on the last Thursday of April. Jayne and Dennis both retire the day after, the final day of the Spring term.

Prior to coming to Penn State, Dennis was associate director of bands at the University of Michigan, director of bands at the University of Wisconsin-Stevens Point, and a band director in the Oconomowoc, WI public schools. He got his Bachelor’s Degree at Wisconsin and his M.Mus. at Northwestern.

Jayne Glocke photo

Jayne earned both her undergraduate and masters degrees in choral conducting and choral literature at the University of Wisconsin-Madison. She conducts the Honors Music Institute, Penn State’s summer workshop for talented high school musicians. Oriana Singers is a treble choir composed of 60 women representing a wide variety of majors. The group’s repertoire includes music for treble voices from the 16th to the 21st century: madrigals, motets, part-songs, folk songs, musical theatre, and music by female composers.

“I loved my time at Penn State,” Dennis says. He thinks fondly of instances that were not high-profile…like student rehearsals that clicked or collaborations with colleagues. Higher profile events like traveling to Italy in 2005 with the Wind Ensemble as the first American band to perform for the Corno d’Oro stand out. More recently, Dennis worked with a number of Penn State Honors Music Institute alumni performing in the National Association for Music Education (NAfME) 2018 All-National Honor Band in Orlando, FL. The nation’s most elite high school musicians vie for the opportunity to rehearse and perform in the ensemble, first competing at local levels to become eligible.

“Being invited to conduct the NAfMe All-National Honor Band was one of the greatest honors of my career,” Dennis says. “The talent, dedication, and commitment of these young musicians was extraordinary.”

Jayne and Dennis have travel and grand-parenting in their near futures. With children in State College, New Hampshire and Wisconsin, they have plenty of places to go. Their grandchild is due to arrive in Happy Valley in April – a wonderful retirement gift for both.

Huge Turnout at Penn State Day at Knoebel’s!

unnamed

 

At the sixth annual Penn State Day at Knoebels held on May 21, 2016, attendees were serenaded by one of the largest Alumni Pep Bands ever. More than 40 ABBA members lent their talents to ensure a successful day.
It rained most of the morning, but the skies started to clear up once the pep band started playing Soak Up the Sun. The band was the main attraction to the event, which was hosted by multiple Alumni Association groups and Commonwealth Campuses. Also in attendances was the Nittany Lion Mascot and Paul Clifford, the new CEO of the Penn State Alumni Association.
The band provided music during the lunch of hot dogs and hamburgers and then ended the gig with a quick three-piece performance of The Nittany Lion, Fight on State and Victory. The organizers already plan to have the band return next May for the next Knoebels Penn State Day.

Membership Registration Questions

Thank you so much for the overwhelming positive response to new website and online registration! The board has worked hard for the past year to get this off the ground and we are so excited to see it come to fruition. I did receive some questions today that I thought it would be important for the group to hear:

Q1. Why are there no Silk and Majorette options under “Instrument” on the checkout page?
A1. This was a glitch on the website that has now been fixed. All Silk and Majorette Alumni are welcome to register and/or update their profile with the accurate information.

Q2. I’m a recent graduate and there is nothing on the website about my free first year?
A2. All Recent Graduates (Alumni Rookies) will receive instructions from the Penn State Blue Band office in the next day or two with instructions on how to register with their free year.

Q3. These new “Auto-renew” options sound fancy, but what are they really?
A3. Many of our members requested an option to “set it and forget it” when it comes to ABBA registration, which is why we are happy to offer these new options. On the day you check out you will be charged the initial fee ($20 for Performing, $30 for Dual, and $15 for Sustaining) and then charged that same amount each year (August 13, 2015, August 13, 2016, etc) until you cancel or change levels.

Q4. If I choose an auto-renew option and there is an issue with my payment in the future, will I receive any notice?
A4. Yes, for auto renew, you will receive an email each year you are paid, if your credit card cannot be processed due to expiration or some other issue, etc. Also, if you choose a standard membership option, you will receive an email when your membership is about to expire.

Q5. HOMECOMING?!
A5. Homecoming information will be sent to everyone in the next 2 weeks. You will be able to register through the website and you must be a paid Performing or Dual Performing member to be eligible to perform. I apologize that our new registration and homecoming registration are so close in time, but getting this new service off the ground was no easy task and since we now offer auto renewing memberships and the option to register at any time, during the year, this will be the last year!

Q6. All of the emails you send me go to some weird folder in Gmail or my Spam Folder. What gives?!
A6. Unfortunately the email service we use is quite popular with online marketing companies and many email providers will flag any email coming from this service as spam or “Promotional”, regardless of the sender. Next week we will be posting instructions on our Facebook, Twitter, and website to help try and alleviate this issue. Please stay tuned. Also, all of our larger announcements will be posted on our shiny new website to check back regularly!

I hope this clears up many of the questions some of you may have, but if there is any thing else, please feel free to reach out to me or any other members of the Board anytime.

Thanks,

Jon Ford
President, Penn State Alumni Blue Band Association
president@psualumnibands.org